Veronica's Veil: The Shroud of Turin's True Identity - Vera Icona      

Veronica's Veil: The Shroud's True Identity as the "Vera Icona"

The story of Veronica wiping Jesus's face on the way to Calvary is a beloved tradition in the Catholic Church (The Sixth Station of the Cross). However, this event is not mentioned anywhere in the Bible, leading many historians and Sindonologists to propose a linguistic origin for the name, arguing that the legend is a reflection of the Shroud of Turin itself.

1. The Linguistic Origin of "Veronica"

The name "Veronica" is believed to be a personification—the name of a person created from the name of an object: the Vera Icon.

Together, Vera Icon means "True Image." Historians suggest that early Christians referred to the Shroud of Turin, with its miraculous image of Christ's face, as the Vera Icon. Over time, this term was misinterpreted as the name of a person, Veronica, and a story was created to explain the imprinted face.


2. The Mandylion and the "Small Veil" Misconception

The confusion that led to the "Veil of Veronica" legend is linked to the historical preservation of the Shroud.

The Shroud Folded as the Mandylion

The Shroud of Turin was known as the Mandylion or the Image of Edessa during the first millennium, where it was venerated in the city of Edessa (modern Urfa, Turkey).

The historical accounts tracing the Mandylion to King Abgar V in 30 AD strongly support the notion that the "True Image" existed centuries before the medieval period.


3. Disputed Relics: The Two Claimants

The linguistic theory helps explain the existence of two relics in Italy today that claim to be Veronica's Veil: one in the Vatican and one in Manoppello.

The Holy Face of Manoppello

The theory that the Vera Icon was the Mandylion (the Shroud folded) provides a cohesive historical explanation for all these separate threads of evidence, confirming the Shroud's deep roots in early Christian history.